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A Part of Speech, Less Than One, To Urania, Marbles, & Watermark

Joseph Brodsky, a winner of the Noble Prize, was the United States National Poet Laureate in 1991. Born in what was then Leningrad, Soviet Union, he grew up in a communal apartment, and was very active in language and literary pursuits. In 1963, a Leningrad newspaper denounced Brodsky, calling his poetry pornographic and anti-Soviet. He was interrogated and twice put in mental institutions. His papers were seized. He was arrested and indicted on the charge of parasitism. In a secret trial, he was called a “pseudo-poet in velveteen trousers,” who failed to fulfill his “constitutional duty to work honestly for the good of the motherland.” Yet no fault was found in the content of his poetry. One of the more interesting comments Joseph Brodsky made as a guest was that there should be a book of poetry in every hotel room, right next to the Bible. He said that he didn’t think that the telephone book would mind. Joseph Brodsky died on January 28th of 1996, a world-class poet.

Originally Broadcast: November 18, 1991

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In this edition of Radio Curious we would like to take you to the country of Bhutan, East of Mount Everest and bordered by India and Tibet. Bhutan is a mystical kingdom considered by many as The Last Shangri-La. We visit “The Dragon’s Gift: The Sacred Arts of Bhutan,” an exhibit which was displayed at the Asian Art Museum in San Francisco, California, in the spring of 2009.

We start in conversation with Therese Bartholomew, the curator of the exhibit who helps us to understand what inspired the exhibit and the trials and tribulations of transporting such valuable religious objects from monasteries at the top of Bhutanese mountains to the city of San Francisco.

We will also visit the exhibit itself and hear some of the ceremonies, meet the monks who have traveled with the exhibit and tour the museum docent Henny Tanugjaja.

Therese Bartholomew is the Curator Emeritus of Himalayan Arts at the Asian Art Museum San Francisco the book she recommends is “My Life and Lives, The Story of a Tibetan Incarnation” by Rato Khyongla Nawang Losang. We visited with Therese Bartholomew from her home in San Francisco on the March 27, 2009 and began by asking her what makes Bhutan and Bhutanese arts so special?

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The personal journal is often not meant for the eyes of anyone but the writer. When a stranger’s journal is read, the reader often becomes a voyeur to the innermost secrets of another. And whether it is a true journal or one of fiction, who cares? Often, it remains a good story. Lynn Freed, originally of Durban, South Africa, wrote the fictional journal of Agnes LaGrange, entitled “The Mirror,” which reveals the thoughts, feelings, and loves of Agnes, starting when she arrived in South Africa to work as a housekeeper, and ending 50 years later.
Lynn Freed recommends “Misfit,” by Jonathan Yardly, “Essays,” by George Orwell & “Last Days in Cloud Cukooland Dispatches,” by Graham Boynton.

Originally Broadcast: December 12, 1997

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We all know that people listen to radio and watch television. The difference between radio and television is in the image. When you listen to radio, your mind creates the image for you. When you watch television, a ready-made image is flashed before your eyes. The early days of television were days of great creativity, when the questions of “how” and “what should we do” were present at all levels of production, ownership and programming. In the early 1950s, a young professor from Stanford University named Stanley Donner was creatively engaged in the development of public television in San Francisco, California. In the last 50 or so years, Professor Donner has participated in and followed the development of this mind-boggling medium.

Professor Stanley Donner in the Radio Curious Studios in September 1998 to share the story of how KQED was organized and successfully applied for funding within a very few days, just before the opportunity lapsed.

Dr. Stanley Donner recommends “The Hedgehog and the Fox: An Essay on Tolstoy’s View of History,” by Sir Isaiah Berlin.

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In this program we discuss cultivating beauty in the space between brilliance and madness with Ken Paul Rosenthal, an independent film maker based in San Francisco, California.

Rosenthal says his “work explores the geography of madness through the regenerative power of nature, urban landscapes, home movies, and archival footage from hygiene films.” And his 2011 film “Crooked Beauty”, available on Vimeo, reveals his artistry and cinematography skills.

Rosenthal’s 2018 film “Whisper Rapture” is a musical and mental health documentary focusing on Bonfire Madigan and her cello. The music you are hearing now is by Bonfire Madigan on her cello, with permission.

Not a stranger to demons of the mind, Rosenthal readily shares his personal experiences, and describes how communities of like-minded people can collectively ease the individual pain and find joyful creativity in the spaces between brilliance and madness.
When Ken Paul Rosenthal and I visited by phone from his home in San Francisco, California on July 30, 2018, we began our conversation when I asked him to describe what many people call mental illness.

The books Ken Paul Rosenthal recommends are both by David Abram: “The Spell of the Sensuous: Perception and Language in a More-Than-Human World,” and “Becoming Animal: An Earthly Cosmology.” The film he recommends is “Leave No Trace,” about a father and daughter who lived off the grid in the wilderness.

Ken Paul Rosenthal’s website is http://www.kenpaulrosenthal.com
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His 2018 film “Whisper Rapture” can be accessed here: http://whisperrapture.com/

His 2011 film “Crooked Beauty” can be seen here: https://vimeo.com/28315394

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The puckishly whimsical life and times of poet and film maker James Broughton is the topic of this edition of Radio Curious in a visit with Stephen Silha, the producer and director of “Big Joy,” a biographical film of the life and times of James Broughton.

Broughton believed that in order to live an authentic life we each should follow our own weird. He says:
“I don’t know what the left is doing said the right hand,
But it looks fascinating.”

And:
“I may be infecting the whole body
said the Head
but they’ll never amputate me.”

Stephen Silha and I visited by phone from his home near Seattle, Washington on Mother’s Day, 2014. He began our conversation by telling us what drew him to make a film about his friend James Broughton.

The book Stephen Silha recommends is “The Man Who Fell in Love With the Moon,” by Tom Spanbauer.

The music in this weeks edition of Radio Curious is “Twril” by Norman Arnold, from the movie, “Big Joy.”

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Radio Curious visits the Heard Museum in Phoenix, Arizona. Founded in 1929, the Heard Museum’s mission is dedicated to educating people about the arts, heritage and life ways of the Indigenous peoples of the Americas, with an emphasis on American Indian tribes of the Southwest. Committed to the sensitive and accurate portrayal of Native arts and cultures, the museum successfully combines the stories of American Indian people from a personal perspective with the beauty of art, showcasing old and new hand woven baskets, kachina dolls, other art and cultural objects.

The museum showcases the art and regalia of Apache, Hopi, Navajo, Pueblo, and Yaqui, to name a few. More than 2000 items make up the museums exhibition.Artwork ranging from pottery, baskets, beadwork, dolls and paintings are on display.

Our guest is Debra Krol, the communications manager who shared portions of the Heard Museum with me on December 10, 2011. We began our conversation with Krol when she introduced us to the Heard Museum and the unique features that reflect the evolution of south western Native American art.

Debra Krol recommends two books: “Ishi’s Brain,” by Orin Starn, and “Indians, Merchants and Missionaries: The legacy of Colonial Encounters on the California Frontiers”, by Kent G. Lightfoot. Our interview with Orin Starn may be found on our website at http://www.radiocurious.org/2004/03/09/orin-starn-who-was-ishi/

The Heard Museum website is www.heard.org.

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History remembers poets of past eras as windows into the civilization of their time. A poet’s words reveal life and feelings we would otherwise never know. New England, in the mid-19th century, was the center of a renaissance of American poetry. Emily Dickinson, better known now than she was then, was known for her phrases which sang out in a multitude of forms, meters and styles. Her words presented her innermost feelings and thoughts. A passionate and witty woman, she made a craft and an art of her words and her life.

I met with Emily Dickinson in the person of actress Wendy Norris, in the parlor of the Dickinson family home, magically carried from Amherst, Massachusetts, to the stage of the Willits Community Theater, in Willits, California, where the belle of Amherst told her story. We began our conversation when I asked Emily Dickinson why she chose not to receive visitors in her home for so many years.

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Theatre as a commentary on the condition of society is the subject of this edition of Radio Curious. The topic is the relationship of police and black men in America in 2015. Our guest is Michael Gene Sullivan, the resident playwright, director and a principal actor in “2015: Freedomland,” this year’s production by the San Francisco Mime Troupe.

The first question and answer on the frequently asked questions page on the San Francisco Mime Troupe website is: “Why do you call yourself a Mime Troupe if you talk and sing?” The answer is: “We use the term mime in its classical and original definition, ‘The exaggeration of daily life in story and song.’”

When Michael Gene Sullivan and I visited by phone from his home in San Francisco on June 29, 2015, I asked him if “2015: Freedomland” was an exaggeration of daily life in story and song from his perspective.

The book Michael Gene Sullivan recommends is “The Rise of the Warrior Cop: The Militarization of America’s Police Force,” by Redley Balko.

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