Radio Curious

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We continue with part two of “Stories Make the World,” with Stephen Most.  He’s a playwright, documentary film maker, and author of the book “Stories Make the World: Reflections of Storytelling and the Art of the Documentary.”  Most presents vignettes of his mentors and experiences, and employs his personal art of storytelling to share who they are and what he has learned in his 54 year career as a writer and story teller.

In part one Most discusses his experience with Peruvian Shamen and Curanderos as a young man when he lived on the north coast of Peru, and the art of documentary making.  Here, in part two, Most tells the story of biologist and conservationist Aldo Leopold, among others, and describes the art of listening.

When Steve Most visited the Radio Curious studios on August 4, 2017, we began part two when I asked him about the art of storytelling.

The books Stephen Most recommends are: “Human Condition” and “On Revolution,” by Hanna Arendt, and “Granada” by Steven Nightingale.

Stephen Most’s website is (http://stephenmost.com/).

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Meaning, which comes from stories, is the topic of our two part series on how stories make the world. Our guest is Stephen Most, author of “Stories Make the World: Reflections on Storytelling and the Art of the Documentary.” In this book, Most shares his experience as a playwright, writer, and creator of documentary films over the past 50 plus years.

Steve Most and I first crossed paths in 1976. We soon determined we had both lived in Peru for several years ten years earlier, and have been friends since.  In his 2007 visit with Radio Curious http://www.radiocurious.org/2011/06/22/most-stephen-river-of-renewal-myth-history-in-the-klamath-basin/, Most and I discussed his book “River of Renewal: Myth and History in the Klamath Basin.”

“Stories Make the World” is a crucial account of the principles and paradoxes that attend the quest to represent reality truthfully.  Most shows how documentary filmmakers and other nonfiction storytellers come to understand their subjects and cast light on the world through their art.

Steve Most visited the Radio Curious studios on August 4, 2017, to record this series on storytelling and the art of the documentary. The central theme of “Stories Make the World” is meaning comes from stories. We begin with Steve Most’s description of his initial experiences starting with his arrival to Peru’s north coast in 1964.  He contrasts information, including raw facts, and meaningful knowledge with a story.

Stephen Most’s website is stephenmost.com.
To stream or download films in the “Stories Make the World” visit: www.videoproject.com/stories.

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Edward Sorel, a satirical caricaturist, and cartoonist, whose first book is Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936, is our guest in this edition Radio Curious. Claiming to be daft about Mary Astor for about a half a century, Sorel describes Astor’s career as a Hollywood-based actress who seemingly more than enjoyed a lustful and salacious life. Astor’s diary, which allegedly revealed the untold stories of her trysts and lovers, was the centerpiece of the sensational 1936 trial to determine the custody of her young daughter.

Sorel, whose pictorial satires have appeared on the covers of forty-six editions of The New Yorker magazine, visited Radio Curious by phone from his home in Harlem, New York City, on February 27, 2017.

The books Ed Sorel recommends are: Iron Dawn: The Monitor and The Merrimack, and the Sea Battle that Changed History, by Richard Snow; and Terrible Virtue, a Novel, by Ellen Feldman.

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Intelligence bears the precious gift
of bringing into being
the dream only imagination
makes possible our seeing.

And the dreams found deep within
the chambers of our hearts
are best expressed and brought to life
by the creative arts.

This poem presents the world view of Robert M. Axt, our guest on this edition of Radio Curious. Axt is a retired contractor who self-studied to become an architect, whose last name was changed three times by the time he was ten years old, and now in his mid-eighties, a poet and patron of the arts.

Axt, who has lived in Ukiah, California, since the 1960s shared his childhood story in the November 2016 presentation of First Person Plural, a monologue series taught and directed by the Ukiah dramatist Ellen Weed.

Axt created an enriched family life for himself along with a live of artistic imagery which he manifests in his work as an architect and in his passion as a poet.

In the first half of this edition of Radio Curious, Axt reads his monologue, Mixed Messages. It describes the loneliness and cruelty of his childhood, while living with relatives or step-parents, and often alone by himself after age 12.

In the second half we discuss how his life might have been had his father not been banished from his life at age 2, and his thoughts about the importance of fomenting the creative imagination.

The book Robert Axt recommends is Alice’s Adventures in Wonderland and Through the Looking Glass, by Louis Carrol.

This program was recorded on December 11, 2016.

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Story teller, writer, publicist and editor Roberta Werdinger is our guest once again.

In the course of our November 21, 2016, visit when Roberta Werdinger when her personal story Barbwire and Flowers, it was clear that she had more to say. Werdinger is a woman of words, who studies the origin of words and the way in which their meanings have changed throughout history. Fascism is one of those words.

How to recognize and respond to fascism, work with fear and go beyond trauma, is part of our conversation in this program. When Roberta Werdinger and I met in the Radio Curious studios November 26, 2016, she commented that she sees herself as having a hybrid life and modus operandi. We began when I asked to describe her hybrid life and modus operandi.

The book Roberta Werdinger recommends is “The Unconquerable World: Power, Non-Violence and the Will of the People,” by Jonathan Schell

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“Barbed Wire and Flowers”: A daughter’s story of her perception and relationship with her father. He, a survivor of the holocaust, and she, his adult child describes the strength of his life incumbent on her youth, and their visit to one of the two concentration camps where he was interned by the Nazis in World War Two.

Roberta Werdinger, a storyteller, writer, publicist, editor, is our guest in this edition of Radio Curious. Raised as a non-secular Jew and ordained as a Buddhist Monk, plans to include “Barbed Wire and Flowers” in the memoir she is currently writing. I heard her public reading of “Barbed Wire and Flowers” here in Ukiah in June, 2016 I invited her to visit Radio Curious. She did on November 21, 2016. Our visit begins with her reading “Barbed Wire and Flowers,” and I invite you listen for the next 17 minutes. Our conversation follows.
This program was recorded on November 21, 2016.

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History remembers poets of past eras as windows into the civilization of their time.  A poet’s words reveal life and feelings we would otherwise never know.  New England, in the mid-19th century, was the center of a renaissance of American poetry.  Emily Dickinson, better known now than she was then, was known for her phrases which sang out in a multitude of forms, meters and styles.  Her words presented her innermost feelings and thoughts.  A passionate and witty woman, she made a craft and an art of her words and her life.

I met with Emily Dickinson in the person of actress Wendy Norris, in the parlor of the Dickinson family home, magically carried from Amherst, Massachusetts, to the stage of the Willits Community Theater, in Willits, California, where the belle of Amherst told her story.  We began our conversation when I asked Emily Dickinson why she chose not to receive visitors in her home for so many years.

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Buzzy Martin began teaching music to at risk kids in Juvenille Hall. He then taught guitar in San Quentin Prison for three and a half years, where he gained a unique “insiders” perspective about prison life, prisoners, and the guards. His book, “Don’t Shoot! I’m the Guitar Man,” chronicles his experiences teaching prison inmates, including rapists, child molesters and murderers how to play the guitar. Martin shares his experiences with incarcerated youth, to teach them that prison is not a “badge of honor,” and he reveals how music can be a universal language to open the hearts of people who may think they don’t have one.

Buzzy Martin’s memoir will be made into a movie. Visit his website for more information. 

The interview with Buzzy Martin was recorded on October 11th, 2010.

The book he recommends is, “The Four Agreements: A Practical Guide to Personal Freedom, A Toltec Wisdom Book,” by don Miguel Ruiz.

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The creative imagination of playwright Don Samson is the topic of this edition of Radio Curious.  In May 2015, I had the good fortune of seeing a ten minute play entitled “Blind Date,” written by my long time friend, who lives in nearby Willits, California.  For many years prior to becoming a playwright, Don Samson researched and wrote legal briefs for criminal defense attorneys, an experience we also discuss in this program.

After seeing the local production of “Blind Date,” I was curious about the circumstances that came to Don Samson’s mind when he created this play, so I invited him to visit the Radio Curious studios.  We met on May 22, 2015 and began our conversation with his description of those circumstances. 

Don Samson recommends the book, which is also a play, “Antigone,” by Sophocles.

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